Culture / Annemarie Schwarzenbach, la photographe derrière l’icône
Nord-Atlantique, 1936-1938. Annemarie Schwarzenbach
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Aventurière, compagne de voyage d’Ella Maillart, amie intime d’Erika et Klaus Mann, en rupture avec sa famille de riches industriels germanophiles zurichois, homosexuelle bohème et francophile dans une Europe tenaillée par le fascisme et le nazisme, Annemarie Schwarzenbach incarne la fin d’un monde et l’avènement d’une société dont nous sommes les héritiers directs. Mais la puissance de l’icône a fait oublier la photographe.
C’est tout l’intérêt de l’annonce de la Bibliothèque nationale suisse qui, à l'occasion du 75e anniversaire de sa mort précoce d’un accident de vélo à l’âge de 34 ans, met en ligne plus de 3000 photographies prises au cours de ses voyages entre les années 1930 et 1940 en Europe, Afrique, Amérique et Asie. Vacanciers en décapotables dans le Lavandou, travailleurs du bois en Finlande, tribus nomades sous les Bouddhas géants de Bamiyan, dockers du port de Lisbonne, skieurs sous le soleil d’Engadine, gamines des faubourgs d’Ankara, mineurs noirs dans le Tennessee: l’œil attentif d’Annemarie Schwarzenbach, curieux et ouvert, empathique mais sans sensiblerie, esthétique mais d’une conscience sociale à toute épreuve, documente de manière émouvante et passionnante des régions et des modes de vie trop vite oubliés.
Cerise sur le gâteau: de fantastiques cartes interactives qui permettent de suivre ses itinéraires en visualisant les photos en direct.
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Mais la puissance de l’icône a fait oublier la photographe. <br></p><p><img class="img-responsive " src="https://media.bonpourlatete.com/default/w700/1510965736_ams.jpg" width="406" height="419"></p><p>C’est tout l’intérêt de l’annonce de la Bibliothèque nationale suisse qui, à l'occasion du 75<sup>e</sup> anniversaire de sa mort précoce d’un accident de vélo à l’âge de 34 ans, met en ligne <a href="https://commons.wikimedia.org/wiki/Category:CH-NB-Annemarie_Schwarzenbach">plus de 3000 photographies</a> prises au cours de ses voyages entre les années 1930 et 1940 en Europe, Afrique, Amérique et Asie. 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'[repository]' => 'Posts' } $relatives = [ (int) 0 => object(App\Model\Entity\Post) { 'id' => (int) 2972, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'publish_date' => object(Cake\I18n\FrozenTime) {}, 'notified' => null, 'free' => true, 'status' => 'PUBLISHED', 'priority' => null, 'readed' => null, 'subhead' => null, 'title' => 'Les filles et les WC unisexes', 'subtitle' => 'Le Grand Conseil vaudois a accepté un postulat des Verts visant à permettre l’installation de toilettes non-genrées, notamment dans les restaurants où pour l’instant il est obligatoire de proposer des toilettes séparées pour les hommes et les femmes. ', 'subtitle_edition' => 'Le Grand conseil vaudois a accepté un postulat visant à permettre l’installation de toilettes non-genrées, notamment dans les restaurants où pour l’instant il est obligatoire de proposer des toilettes pour les hommes et pour les femmes. ', 'content' => '<p>Les WC unisexes sont en marche. C’est ainsi. Aussi fatalement que les filles ont adopté les pantalons pour ne plus l’abandonner, les symboles masculins et féminins vont gentiment mais sûrement disparaître des portes des lieux d’aisance et laisser la place aux pictogrammes inclusifs – pantalon à gauche, robe à droite. Dans de nombreuses régions du monde, les toilettes sexuées sont déjà hors-la-loi. Le parlement vaudois vient ainsi d’accepter par une large majorité un postulat proposé par les Verts visant à encourager l’installation de toilettes unisexes, estimées plus inclusives pour les personnes intersexes et transgenres, tout autant que pour les accompagnants de handicapés, dans les lieux publics tels que les cafés et restaurants.</p> <p>Au moment donc de dire adieu aux WC genrés, je suis prise d’une irrésistible nostalgie préventive pour les toilettes des filles. Et je supplie les décideurs ès toilettes de ne pas oublier les aspects non utilitaires de ces endroits ou souvent, la petite ou la grosse commission sont la dernière des préoccupations. Dans ma vie, aux toilettes: je me suis changée, je me suis maquillée, j’ai brossé mes dents, j’ai pleuré de chagrin, j’ai vomi, j’ai révisé, j’ai sorti ma feuille de triche, j’ai tenu des conseils de guerre avec des amies, j’ai débriefé au téléphone des rancarts en cours, j’ai consolé d’autres amies, j’ai fumé en cachette, j’ai quémandé des tampons hygiéniques, j’ai embrassé des garçons qui ne devaient pas être là, j’ai attendu que le temps passe, je me suis cachée.</p> <h3>«Laissez-nous ces lieux dénués de testostérone, de pipis sur la lunette, de drague hétéro lourde»</h3> <p>Des toilettes de filles, pour une fille, c’est un lieu où, imperceptiblement, inconsciemment, on se relâche, on baisse la garde, un pseudo-gynécée intermédiaire entre l’intimité et le monde extérieur. Bienvenue à touxtes celles et ceux qui se sentent femmes, se pensent femmes, se considèrent femmes, mais de grâce, laissez-nous ces lieux dénués de testostérone, de pipis sur la lunette, de drague hétéro lourde, de regards en coin. Laissez-nous des endroits entre-deux où être entre nous pour parler des Autres, laissez-nous ce salon où l’on cause, où l’on «papote» − terme que jamais les mâles hétéros cisgenres n’utilisent les concernant.</p> <p>Certes, les toilettes unisexes ouvrent des perspectives ludiques et sympathiques de gais batifolages entre hétéros cisgenres, ce qu’on ne pouvait pas faire du temps où un garçon pénétrant dans les toilettes des filles se faisait virer manu militari. Mais les toilettes unisexes vont forcément aussi donner quelques idées aux mâles tripoteurs ravis de cette promiscuité facilement gagnée. C’est ainsi. Je ne sais pas si les hommes hétéros se réjouissent ou non des toilettes unisexes. Je m’en fiche. Je prêche pour ma paroisse. Moi aussi, je veux mon temps de parole, d’écoute, d’attention. Je suis féministe, inclusive, égalitaire, progressiste, mais je veux − aussi − mes toilettes pour filles.</p>', 'content_edition' => '', 'slug' => 'les-filles-et-les-wc-unisexes', 'headline' => null, 'homepage' => null, 'like' => (int) 1025, 'editor' => null, 'index_order' => (int) 1, 'homepage_order' => (int) 1, 'original_url' => '', 'podcast' => false, 'tagline' => null, 'poster' => null, 'category_id' => (int) 2, 'person_id' => (int) 81, 'post_type_id' => (int) 1, 'post_type' => object(App\Model\Entity\PostType) {}, 'comments' => [ [maximum depth reached] ], 'tags' => [ [maximum depth reached] ], 'locations' => [[maximum depth reached]], 'attachment_images' => [ [maximum depth reached] ], 'person' => object(App\Model\Entity\Person) {}, 'category' => object(App\Model\Entity\Category) {}, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Posts' }, (int) 1 => object(App\Model\Entity\Post) { 'id' => (int) 2905, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'publish_date' => object(Cake\I18n\FrozenTime) {}, 'notified' => null, 'free' => true, 'status' => 'PUBLISHED', 'priority' => null, 'readed' => null, 'subhead' => 'ANALYSE / Opinions', 'title' => 'Merci à Serge Gumy, rédacteur en chef de «La Liberté»', 'subtitle' => 'Une lettre de lecteur publiée dans le quotidien fribourgeois «La Liberté» a créé une grande controverse. Intitulée «Aux jeunes filles en fleurs», elle a été considérée par des lectrices et des lecteurs comme une banalisation de la «culture du viol». Mais finalement, l'auteur de la lettre a-t-il compris pourquoi certaines de ces femmes qu’il semble tant apprécier se sont senties injuriées? La méthode pour s'opposer à ses propos a-t-elle été la bonne?', 'subtitle_edition' => 'Une lettre de lecteur publiée dans le quotidien fribourgeois «La Liberté» a créé une grande controverse. Intitulée «Aux jeunes filles en fleurs», elle a été considérée par des lectrices et des lecteurs comme une banalisation de la «culture du viol». Mais finalement, l'auteur de la lettre a-t-il compris pourquoi certaines de ces femmes qu’il semble tant apprécier se sont senties injuriées? La méthode pour s'opposer à ses propos a-t-elle été la bonne?', 'content' => '<p>Il faudrait dire merci à Serge Gumy. Au lieu de cela, on l’insulte, on tague les voitures de son journal et on le force à s’excuser à genoux. Il faudrait lui dire merci parce que grâce à lui et à son journal, <em>La Liberté</em>, on peut savoir ce que pense Paul Clément de Fribourg et tous les autres Paul Clément du monde.</p> <p>Je suis abonnée à plusieurs lettres d’information qui ne reflètent pas ma vision du monde. Je lis des publications émanant de milieux dont je ne partage pas les opinions. Je lis des livres qui ne me plaisent pas mais dont je sais qu’ils plaisent à d’autres, à beaucoup d’autres. Je lis les lettres de lecteurs et lectrices des journaux d’ici et d’ailleurs parce qu’elles me donnent l’occasion de savoir ce que pensent non seulement les journalistes mais également leur lectorat, mes semblables, mes frères.</p> <h3>Savoir comment pense son voisin</h3> <p>Je considère que connaître l’Autre est la base de toute vie en société. Je veux savoir comment pense mon voisin, mon concitoyen, ne serait-ce que pour mieux le combattre lorsque − parce qu’il ne pense pas comme moi, parce qu’il m’agresse, parce qu’il me fait du tort − il devient mon ennemi.</p> <p>Merci à Serge Gumy, donc, de nous montrer que parmi nous, des Paul Clément voient «les jeunes filles en fleur» comme de «belles plantes que l’on rencontre au gré de nos promenades», des «nymphettes» aux «genoux faisant des clins d’œil à travers (leurs) jeans percés et rythmés par (leur) démarche chaloupée», confondant allégrement liberté de se vêtir et provocation.</p> <p>Heureusement qu’il y a des Paul Clément pour penser tout haut, et en plus vouloir vaniteusement rendre sa pensée et sa prose publique! Sans le vouloir, tout fiérot de sa prose printanière guillerette et coquine, les sens en émoi après quelques rayons de soleil, héritier d’une culture de lubricité machiste la plupart du temps inoffensive mais très agaçante, Paul Clément s’est retrouvé exposé d’une manière qu’il n’imaginait pas. Que sa lettre de lecteur mérite ou pas le torrent de haine qu’elle suscite depuis sa publication lundi dans <em>La Liberté</em>, elle nous donne l’occasion d’exprimer à notre tour ce que nous pensons des gambettes des «nymphettes». Savoir ce que pense Paul Clément est utile. Cela nous apprend à réagir, à dire à nos filles de se méfier, et surtout nous permet de réaffirmer ce à quoi nous croyons. Encourageons la liberté de toutes les expressions, même celles qui nous déplaisent, pour mieux affuter les nôtres! Et, peut-être, si possible, convaincre.</p> <p>Car que voulons-nous? Voulons-nous couper le caquet à tous les Paul Clément du monde? Ne pas les entendre? Ou leur faire changer d’avis? Préférons-nous ne pas savoir que nous ne voyons pas tous et toutes le monde de la même manière ou changer le monde, le faire évoluer dans le sens que nous souhaitons?</p> <h3>Débattre plutôt qu'interdire </h3> <p>Je suis de la culture du débat. La pédagogie ne passe jamais par l’interdiction, ni par l’intimidation, bien au contraire. Interdisez à un homme ou à une femme d’exprimer une opinion, ou même de la penser en son for intérieur: il ou elle n’en sortira que renforcée dans cette opinion. Quelle erreur que de se priver de savoir ce que pense les gens, tous les gens, même ceux qui pensent mal selon nous! La liberté d’expression permet justement la confrontation des opinions. Si nous ne voulons pas entendre l’Autre, c’est que nous ne supportons pas la différence, fût-elle insupportable. Si nous voulons changer le monde, le rendre meilleur à nos yeux, il faut commencer par l’entendre, le comprendre pour ensuite le critiquer et l’amener, si possible, là où nous voulons. C’est long, cela demande patience, abnégation, humilité et tolérance, même pour l’intolérable. Vivre ensemble, ce n’est pas vivre l’un contre l’autre. Il ne s’agit pas de vaincre mais de convaincre. Paul Clément est symboliquement mort. Il a été ridiculisé, insulté, renié même par son cher journal <em>La Liberté</em> qui a exprimé ses «profonds regrets» pour avoir publié sa lettre − mais est-il convaincu? A-t-il compris pourquoi certaines de ces femmes qu’il semble tant apprécier se sont senties injuriées? Quelqu’un, quelqu’une lui a-t-il, lui a-t-elle parlé? A nous de jouer.</p>', 'content_edition' => '', 'slug' => 'merci-a-serge-gumy-redacteur-en-chef-de-la-liberte', 'headline' => null, 'homepage' => null, 'like' => (int) 973, 'editor' => null, 'index_order' => (int) 1, 'homepage_order' => (int) 1, 'original_url' => '', 'podcast' => false, 'tagline' => null, 'poster' => null, 'category_id' => (int) 8, 'person_id' => (int) 81, 'post_type_id' => (int) 1, 'post_type' => object(App\Model\Entity\PostType) {}, 'comments' => [ [maximum depth reached] ], 'tags' => [ [maximum depth reached] ], 'locations' => [[maximum depth reached]], 'attachment_images' => [ [maximum depth reached] ], 'person' => object(App\Model\Entity\Person) {}, 'category' => object(App\Model\Entity\Category) {}, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Posts' }, (int) 2 => object(App\Model\Entity\Post) { 'id' => (int) 2882, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'publish_date' => object(Cake\I18n\FrozenTime) {}, 'notified' => null, 'free' => true, 'status' => 'PUBLISHED', 'priority' => null, 'readed' => null, 'subhead' => 'ANALYSE / Télévision', 'title' => 'Le sourire de la présentatrice du TJ au moment du sujet culturel', 'subtitle' => 'Pendant un téléjournal, la présentatrice ou le présentateur égrène différentes sortes de sourires, en fonction des circonstances et des sujets. A la fin des nouvelles dites «sérieuses», arrive celui qui signifie qu’enfin vous allez pouvoir vous détendre avec quelque chose de léger, avec quelque chose qui prête à sourire: la culture. C'est agaçant.', 'subtitle_edition' => 'Pendant un téléjournal, la présentatrice ou le présentateur égrène différentes sortes de sourires, en fonction des sujets. A la fin des nouvelles dites «sérieuses», arrive celui qui signifie qu’enfin vous allez pouvoir vous détendre avec quelque chose de léger: la culture. C'est agaçant.', 'content' => '<p>C’est chaque soir le même scénario: le téléjournal commence et vous et moi regardons, forcément, la présentatrice ou le présentateur du jour. Sa coupe de cheveux, la couleur de sa veste et… son sourire. C’est quelque chose, le sourire de la présentatrice, ou du présentateur, du téléjournal. C’est un outil de communication fantastique. Il est là pour instaurer un climat, poser le décor, dérouler le tapis rouge à l’information. Vous dire quelque chose, aussi, en langage non-verbal.</p> <p>Les sourires des présentatrices et présentateurs de téléjournaux ont leur propre vocabulaire, leurs propres codes. Certains, plus malins ou moins courageux, préfèrent ne pas se risquer sur ce terrain et réservent leur sourire pour les photos de famille. D’autres - des femmes, pour la plupart, allez-savoir pourquoi - le manient avec un plaisir non feint. Mais sans pour autant dégainer n’importe quel sourire, à n’importe quel moment du téléjournal.</p> <h3>Le sourire de bienvenue et celui de transition</h3> <p>Le premier sourire accompagne le fameux «Mesdames, Messieurs, bonsoir», ou équivalent, de bienvenue. Il doit vous aller droit au cœur et s’assurer que vous restiez croché aux lèvres de votre interlocutrice le plus longtemps possible.</p> <p>Il disparait bien vite pour faire place à la mine grave, de circonstance, qui convient pour parler Covid, politique internationale, politique bernoise, finance et autres sujets dits sérieux.</p> <p>Le second sourire est le sourire dit de transition: entre deux sujets sérieux, ce petit sourire fugace s’accroche brièvement aux lèvres de la présentatrice, ou du présentateur, avant de retomber: son but est de ne pas vous faire fuir, autant que de ne pas vous faire perdre espoir. Après les catastrophes, après les mauvaises nouvelles, après les sujets ennuyeux, un autre monde vous attend, où l’on pourra à nouveau sourire, pour de vrai, de toutes ses dents. Patience.</p> <h3>Le sourire de la détente</h3> <p>Le troisième sourire est le plus intéressant. Il arrive à la toute fin du téléjournal, lorsqu’il ne reste, au mieux, que cinq minutes. C’est à ce moment qu’arrive enfin ce mot magique de «culture». Il est généralement placé dans l’expression: «Une page de culture maintenant !» et annonce que l’on va vous parler, indifféremment, d’une exposition de peinture, d’un documentaire sur les animaux, d’une pièce de théâtre, d’un livre de philosophie ou de New Romance, d’un opéra, de marionnettes pour enfants, d’un jeu vidéo, de musique jazz ou de toute autre sujet que l’on peut placer sous cette étiquette passe-partout et bien pratique. Il est alors prononcé avec un immense sourire. Epanoui, sincère, contagieux. Il vous signifie qu’enfin, vous pouvez vous détendre. Fini le pensum des infos sérieuses, fini l’actualité du monde qui ne tourne jamais rond, passons enfin à quelque chose léger, qui prête à… sourire.</p> <p>Ce sourire est incroyablement agaçant.</p> <p>Il est d’une condescendance infinie, laissant entendre qu’après les trucs de grandes personnes, le plat de résistance, les sujets dits culturels comptent moins que les autres, occupant surtout une fonction de divertissement en fin de téléjournal.</p> <p>Il laisse entendre que la culture, c’est drôle. Une activité légère, marrante et futile. La cerise sur le gâteau, la gâterie d’avant le dodo. Parfois, pas de chance, l’exposition ou la pièce de théâtre en question parlent cancer, esclavage, migrants, inceste : ce sourire tombe alors complètement à plat et s’agit de vite le refermer en lançant le sujet.</p> <h3>Pourquoi ne pas bouleverser la hiérarchie de l'information? </h3> <p>Les quotidiens <em>24 heures</em> et <em>Tribune de Genève</em> ont fait leur révolution culturelle il y a peu en remontant leurs pages dites «locales» en ouverture de journal, conscients que la valeur ajoutée de leurs journalistes se trouvait dans le traitement de ces sujets, autant que de l’intérêt prioritaire de leur lectorat pour ces sujets de proximité par rapport aux pages internationales, voire même nationales. Pourquoi les journaux télévisés placent-ils immanquablement la culture à la fin? Qu’attendent-ils pour faire exploser la sacro-sainte et traditionnelle «hiérarchisation de l’information»? Pourquoi cette hiérarchie ne tiendrait-elle pas compte de la diversité des téléspectateurs – pour certains, les tensions diplomatiques entre la Chine et les Etats-Unis peuvent attendre les cinq dernières minutes, tandis que l’annonce de la sortie d’un inédit de Leonard Cohen changera le cours de leur semaine. Pourquoi ne pas alterner les ouvertures de journaux? On parle inclusivité et langage épicène: donnons à tous les publics des JT l’occasion de se sentir «inclus» dans cette <em>grande messe</em> de l’information quotidienne, si l’on veut qu’elle le reste!</p> <p>Lorsqu’on sait à quel point les artistes en particulier, et les acteurs culturels en général, se font l’écho de tous les courants qui traversent nos sociétés, heureux ou malheureux, actuels ou intemporels, intimes ou collectifs, révolutionnaires ou conservateurs, c’est la place du roi que l’on devrait donner à leurs actualités et productions. Avec le sourire, ou sans, cela n’aurait alors plus d’importance.</p>', 'content_edition' => '', 'slug' => 'le-sourire-de-la-presentatrice-du-jt-au-moment-du-sujet-culturel', 'headline' => null, 'homepage' => null, 'like' => (int) 906, 'editor' => null, 'index_order' => (int) 1, 'homepage_order' => (int) 1, 'original_url' => '', 'podcast' => false, 'tagline' => null, 'poster' => null, 'category_id' => (int) 8, 'person_id' => (int) 81, 'post_type_id' => (int) 1, 'post_type' => object(App\Model\Entity\PostType) {}, 'comments' => [ [maximum depth reached] ], 'tags' => [ [maximum depth reached] ], 'locations' => [[maximum depth reached]], 'attachment_images' => [ [maximum depth reached] ], 'person' => object(App\Model\Entity\Person) {}, 'category' => object(App\Model\Entity\Category) {}, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Posts' }, (int) 3 => object(App\Model\Entity\Post) { 'id' => (int) 2868, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'publish_date' => object(Cake\I18n\FrozenTime) {}, 'notified' => null, 'free' => true, 'status' => 'PUBLISHED', 'priority' => null, 'readed' => null, 'subhead' => 'ACTUEL / APPARENCES', 'title' => 'Le problème avec les grosses', 'subtitle' => 'D'un côté, les voix du «body positive» s'insurgent contre la dictature de la minceur. De l'autre, médecins et OMS alertent sur la gravité de l'épidémie mondiale d'obésité, porteuse de son lot de maladies cardio-vasculaires, de cancers et de diabète. Et au milieu, les ni grosses, ni minces, qui regardent passer les balles... Oui, nous avons un problème avec les grosses.', 'subtitle_edition' => 'D'un côté, les voix du «body positive» s'insurgent contre la dictature de la minceur. De l'autre, médecins et OMS alertent sur la gravité de l'épidémie mondiale d'obésité, porteuse de son lot de maladies cardio-vasculaires, de cancers et de diabète. Et au milieu, les ni grosses, ni minces, qui regardent passer les balles... Oui, nous avons un problème avec les grosses.', 'content' => '<p>D’un côté, des chanteuses, actrices ou influenceuses du monde entier, comme la chanteuse Lizzo, l’actrice Melissa McCarthy, la Youtubeuse française Juliette Katz, la blogueuse mode Gaëlle Prudencio ou Gabrielle Deydier, auteure du livre <i>On ne naît pas grosse</i>, proclament fièrement «Big is beautiful». Porte-voix d’un mouvement «body positive» qui entraine tout sur son passage, elles pointent du doigt la dictature délétère de la «diet culture» qui fait rimer <i>bonheur</i> avec <i>minceur</i> et épinglent sans relâche tout signe de grossophobie dans les médias, sur les réseaux sociaux, à la télévision ou dans les discours politiques. Même la simple expression «être en surpoids» les irrite au plus haut point, puisqu’elle implique qu’il y aurait un poids «normal» et un poids «anormal», donc stigmatisant. Dernière victime en date: l’animatrice Karine Lemarchand qui, croyant rendre service aux grosses en leur offrant une opération bariatrique de réduction de l’estomac gratuite dans une émission de téléréalité intitulée «Opération Renaissance», s’est retrouvée vouée aux gémonies par la communauté même qu’elle pensait soutenir.</p> <p>De l’autre côté, d’autres femmes, tout aussi grosses, mais qui n’y voient rien de positif, passent leur temps à vouloir maigrir. Des obèses en grande détresse déplorent qu’en Suisse, leur maladie ne soit toujours pas prise en charge par les assurances maladie. Des rapports de l’OFSP chiffrent en milliards de francs le prix payé au surpoids et à l’obésité rien que dans notre pays. L’Organisation Mondiale de la Santé alerte sur une épidémie mondiale d’obésité, qu’elle considère officiellement depuis 1997 comme une «maladie chronique» résultant de multiples facteurs et pouvant entrainer des «complications»: diabète, maladies cardiovasculaires, maladies hépatiques ou rénales, problèmes articulaires, cancers. Les médecins dénoncent une sous-médicalisation de l'obésité, de nombreuses personnes en surpoids ou obèses n'osant pas parler de leurs problèmes dans une société qui valorise la minceur jusqu’à l’obsession.</p> <p>Alors, doit-on se réjouir que les grosses soient grosses? Doit-on déplorer que les grosses soient grosses? Doit-on célébrer ou s’inquiéter? Etre grosse, au final, est-ce bien — version <em>body positive</em> — ou mal — version médicale et OMS? </p> <p>Nous qui souhaitons bien faire, ne savons pas comment ni parler des grosses, ni leur parler.</p> <p>Nous nous trouvons pris au cœur de ce que les psys appellent deux injonctions paradoxales, soit deux affirmations, ou demandes, qui se contredisent. Exemples faciles: «Soyez spontané!» ou «Ne lisez pas cette phrase!».</p> <p>C’est un vrai sujet. En 2019, le mot <i>grossophobie</i>, qui désigne les «comportements stigmatisants et discriminants envers celles et ceux qui sont obèses ou en surpoids», a fait son entrée dans le dictionnaire. Tout comme les <i>gender studies </i>ont fait leur entrée dans la recherche et l’enseignement universitaire depuis les années 1980, les <i>fat studies</i>, qui étudient de manière interdisciplinaire la discrimination basée sur le poids dans les sociétés occidentales, sont désormais au programme des universités anglo-saxonnes. Depuis 2020, l’obésité a sa <i>Journée mondiale</i><i> unifiée contre l'</i><i>obésité</i>, le 4 mars. But: faire évoluer la vision du public en luttant contre les idées reçues. Mais quelles idées reçues? Qu’être grosse, c’est bien et ça rend heureuse? Ou qu’être grosse, c’est mal et ça rend malheureuse? Lorsqu’au travail, ou chez des amis, ou dans un groupe de parole, nous nous trouvons en compagnie d’une personne obèse, doit-on la féliciter pour sa bonne mine ou l’encourager dans son combat contre la maladie? Comment se comporter «normalement» puisque justement, le «normal» change de définition suivant le camp, que l’on soit «body positive» ou médecin à l’OMS? Si chacune est libre de définir la «norme» qui convient à son épanouissement personnel, pourquoi notre société ne parle-t-elle que de cela — l’apparence, le poids — et pourquoi les troubles des conduites alimentaires explosent-ils dans le monde entier?</p> <p>Nous qui ne sommes ni maigres, ni obèses, mais banalement banales, regardons passer les balles. Nous aimions nous penser les héritiers du slogan cartésien «Je pense, donc je suis». Désormais, nous vivons sous la devise «Je mange, donc je suis.»</p> <hr /> <p> </p>', 'content_edition' => '', 'slug' => 'le-probleme-avec-les-grosses', 'headline' => null, 'homepage' => null, 'like' => (int) 582, 'editor' => null, 'index_order' => (int) 1, 'homepage_order' => (int) 1, 'original_url' => '', 'podcast' => false, 'tagline' => null, 'poster' => null, 'category_id' => (int) 5, 'person_id' => (int) 81, 'post_type_id' => (int) 1, 'post_type' => object(App\Model\Entity\PostType) {}, 'comments' => [ [maximum depth reached] ], 'tags' => [[maximum depth reached]], 'locations' => [[maximum depth reached]], 'attachment_images' => [ [maximum depth reached] ], 'person' => object(App\Model\Entity\Person) {}, 'category' => object(App\Model\Entity\Category) {}, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => 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pas mettre en avant nos collègues lorsque l'on est sensibles à leur travail? 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A vous de jouer!', 'slug' => 'vos-lettres-a-bon-pour-la-tete', 'attachment_id' => '0', 'lft' => null, 'rght' => null, 'parent_id' => null, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Categories' }, (int) 6 => object(App\Model\Entity\Category) { 'id' => (int) 8, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'name' => 'Analyse', 'menu' => true, 'menu_order' => (int) 3, 'description' => '', 'slug' => 'analyse', 'attachment_id' => '0', 'lft' => null, 'rght' => null, 'parent_id' => null, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Categories' }, (int) 7 => object(App\Model\Entity\Category) { 'id' => (int) 10, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'name' => 'Science', 'menu' => true, 'menu_order' => null, 'description' => '', 'slug' => 'sciences', 'attachment_id' => '0', 'lft' => (int) 1, 'rght' => (int) 2, 'parent_id' => null, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Categories' }, (int) 8 => object(App\Model\Entity\Category) { 'id' => (int) 11, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'name' => 'Histoire', 'menu' => true, 'menu_order' => null, 'description' => '', 'slug' => 'histoire', 'attachment_id' => '0', 'lft' => (int) 3, 'rght' => (int) 4, 'parent_id' => null, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Categories' }, (int) 9 => object(App\Model\Entity\Category) { 'id' => (int) 12, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'name' => 'Humour', 'menu' => true, 'menu_order' => null, 'description' => '', 'slug' => 'humour', 'attachment_id' => '0', 'lft' => (int) 5, 'rght' => (int) 6, 'parent_id' => null, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Categories' }, (int) 10 => object(App\Model\Entity\Category) { 'id' => (int) 13, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'name' => 'Débat', 'menu' => true, 'menu_order' => null, 'description' => '', 'slug' => 'debat', 'attachment_id' => '0', 'lft' => (int) 7, 'rght' => (int) 8, 'parent_id' => null, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Categories' }, (int) 11 => object(App\Model\Entity\Category) { 'id' => (int) 14, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'name' => 'Opinion', 'menu' => true, 'menu_order' => null, 'description' => '', 'slug' => 'opinion', 'attachment_id' => '0', 'lft' => (int) 9, 'rght' => (int) 10, 'parent_id' => null, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Categories' }, (int) 12 => object(App\Model\Entity\Category) { 'id' => (int) 15, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'name' => 'Reportage', 'menu' => true, 'menu_order' => null, 'description' => '', 'slug' => 'reportage', 'attachment_id' => '0', 'lft' => (int) 11, 'rght' => (int) 12, 'parent_id' => null, '[new]' => false, '[accessible]' => [ [maximum depth reached] ], '[dirty]' => [[maximum depth reached]], '[original]' => [[maximum depth reached]], '[virtual]' => [[maximum depth reached]], '[hasErrors]' => false, '[errors]' => [[maximum depth reached]], '[invalid]' => [[maximum depth reached]], '[repository]' => 'Categories' } ] $tag = object(App\Model\Entity\Tag) { 'id' => (int) 84, 'created' => object(Cake\I18n\FrozenTime) {}, 'modified' => object(Cake\I18n\FrozenTime) {}, 'name' => 'photographie', 'slug' => 'photographie', '_joinData' => object(Cake\ORM\Entity) {}, '[new]' => false, '[accessible]' => [ '*' => true, 'id' => false ], '[dirty]' => [], '[original]' => [], '[virtual]' => [], '[hasErrors]' => false, '[errors]' => [], '[invalid]' => [], '[repository]' => 'Tags' }include - APP/Template/Posts/view.ctp, line 147 Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435 Cake\View\View::_render() - CORE/src/View/View.php, line 1393 Cake\View\View::render() - CORE/src/View/View.php, line 892 Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791 Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 126 Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94 Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 256 Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65 App\Middleware\IpMatchMiddleware::__invoke() - APP/Middleware/IpMatchMiddleware.php, line 28 Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65 Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 164 Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65 Cors\Routing\Middleware\CorsMiddleware::__invoke() - ROOT/vendor/ozee31/cakephp-cors/src/Routing/Middleware/CorsMiddleware.php, line 32 Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65 Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88 Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
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VOS RÉACTIONS SUR LE SUJET
2 Commentaires
@laurentn 07.12.2017 | 10h56
«Superbe!»
@ecocit 17.05.2019 | 22h13
«Merci pour tous ces trēsors captés par A-M Schwarzenbach, p ex les Bouddahs de Damian aujourd’hui.»